Volume 27, Issue 2-3
spring-summer 2011
ISSN 0736-0053
EISSN 1476-2870
Issue navigation
Volume 27, Issue 2-3, spring-summer 2011
A Note from the Guest Editors
A Note from the Guest Editors
Gundula Kreuzer and Clemens Risi
The Opera Quarterly, Volume 27, Issue 2-3, spring-summer 2011, Pages 149–152, https://doi.org/10.1093/oq/kbr031
Articles
Resisting Rossini, or Marlon Brando plays Figaro
Mary Ann Smart
The Opera Quarterly, Volume 27, Issue 2-3, spring-summer 2011, Pages 153–178, https://doi.org/10.1093/oq/kbr017
Wagner-Dampf: Steam in Der Ring des Nibelungen and Operatic Production
Gundula Kreuzer
The Opera Quarterly, Volume 27, Issue 2-3, spring-summer 2011, Pages 179–218, https://doi.org/10.1093/oq/kbr024
The Mise-en-scène of Mediation: Wagner's Götterdämmerung (Stuttgart Opera, Peter Konwitschny, 2000–2005)
David J. Levin
The Opera Quarterly, Volume 27, Issue 2-3, spring-summer 2011, Pages 219–234, https://doi.org/10.1093/oq/kbr029
Wagnervideo
Christopher Morris
The Opera Quarterly, Volume 27, Issue 2-3, spring-summer 2011, Pages 235–255, https://doi.org/10.1093/oq/kbr016
Moulin Rouge! and the Boundaries of Opera
Elizabeth Hudson
The Opera Quarterly, Volume 27, Issue 2-3, spring-summer 2011, Pages 256–282, https://doi.org/10.1093/oq/kbr019
Opera in Performance—In Search of New Analytical Approaches
Clemens Risi
The Opera Quarterly, Volume 27, Issue 2-3, spring-summer 2011, Pages 283–295, https://doi.org/10.1093/oq/kbr025
Notes from the Stage
An Introduction to Götz Friedrich and Joachim Herz's “Musiktheater—Toward a Definition”
Gundula Kreuzer and Clemens Risi
The Opera Quarterly, Volume 27, Issue 2-3, spring-summer 2011, Pages 296–298, https://doi.org/10.1093/oq/kbr030
Musiktheater—Toward a Definition (1960)
Götz Friedrich and Joachim Herz
The Opera Quarterly, Volume 27, Issue 2-3, spring-summer 2011, Pages 299–302, https://doi.org/10.1093/oq/kbr028
Regietheater in Transition: An Introduction to Barbara Beyer's “Interviews with Contemporary Opera Directors”
Gundula Kreuzer and Clemens Risi
The Opera Quarterly, Volume 27, Issue 2-3, spring-summer 2011, Pages 303–306, https://doi.org/10.1093/oq/kbr027
Interviews with Contemporary Opera Directors, Selected from Barbara Beyer's Warum Oper? Gespräche mit Opernregisseuren (2005)
The Opera Quarterly, Volume 27, Issue 2-3, spring-summer 2011, Pages 307–317, https://doi.org/10.1093/oq/kbr026
Scholarship
Modernism after Wagner
Beth M. Snyder
The Opera Quarterly, Volume 27, Issue 2-3, spring-summer 2011, Pages 318–325, https://doi.org/10.1093/oq/kbr013
Mozart on the Stage
Margaret R. Butler
The Opera Quarterly, Volume 27, Issue 2-3, spring-summer 2011, Pages 326–330, https://doi.org/10.1093/oq/kbr014
Performance
Richard Strauss: Salome
Micaela K. Baranello
The Opera Quarterly, Volume 27, Issue 2-3, spring-summer 2011, Pages 331–337, https://doi.org/10.1093/oq/kbr018
Cover/Standing Material
Contents Page
The Opera Quarterly, Volume 27, Issue 2-3, spring-summer 2011, Page NP, https://doi.org/10.1093/oq/kbs005
Cover Page
The Opera Quarterly, Volume 27, Issue 2-3, spring-summer 2011, Page NP, https://doi.org/10.1093/oq/kbs011
Editorial Board
The Opera Quarterly, Volume 27, Issue 2-3, spring-summer 2011, Page NP, https://doi.org/10.1093/oq/kbs017
Subscription Page
The Opera Quarterly, Volume 27, Issue 2-3, spring-summer 2011, Page NP, https://doi.org/10.1093/oq/kbs021
Advertisement
Advertisement