Cover image of Other Girls to Burn, designed by Erin Kirk

Cover image of Other Girls to Burn, designed by Erin Kirk

Winner of the AWP Prize for Creative Nonfiction, selected by Alexander Chee.

The world turns in Crew's vision, essay by essay, renewed or revealed in ways only she can provide, and all of it brought to us in a voice I'd follow into any topic-propulsive, lyrical, able to turn on a dime, as the expression goes. The result is a guide to the trap doors this culture sets up for women, and the landscape only visible once you fall through. 

—Alexander Chee, Guggenheim Fellow and author of Queen of the Night and How to Write an Autobiographical Novel

Other Girls to Burn blazes from within with Caroline Crew's remarkable twinned energies: she is curious, and she is furious. The places these energies take her, through histories intimate and global, peering into language like a witch scrying deep waters, will astonish her readers. 

—Heather Christle, author of The Crying Book

Crew flame-throws the cobwebbed dungeons of a sweltering ivory tower, boils ancient mythology into the complicated truth-telling of family, and sparks a rainbow altar to the five-alarm firepower of her eclectic artistic forebears: Against Me!, Kathy Acker, My Favorite Murder, and Joan Mitchell, to name a few. 

—Sadie Dupuis / Sad13, muscian of Speedy Ortiz, author of Mouth Guard





Other Girls to Burn is a collection of essays that explores the relationship between women and violence within such contexts as the 2014 Isla Vista shooting, early Christian virgin martyrs (discussed in relation with modern true crime stories), mixed martial arts, and rape culture. Formally inventive and lyric leaning, these essays shift between cultural criticism and personal essay and cohere around a central motif of female mystics. With them, Caroline Crew asks, What does it mean for women to be complicit in the violence of the patriarchy? How do women navigate risk as well as revel in thrill? What does it mean to both fear and perpetuate violence?

The essays explore disparate cultural touch points, such as contemporary feminism, race, hagiography, the Salem witch trials, dementia, fairy tales, Eurydice, indie music, gender performance, Anne Boleyn, Mary Wollstonecraft, Mary Shelley, family dysfunction, and vaginismus, to name a few. Together, this collection is in conversation with contemporary nonfiction writers such as Maggie Nelson, Sarah Manguso, and Anne Boyer.