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May December
The female predators of recent cinema
Wilawan Wiangthong, Chapter 4: Eggs, 2024. Performance view, Maielie, Khon Kaen, Thailand, March 2, 2024. Chonticha Srihatai.
Performance
Reclaiming corporeal sublimation in Wilawan Wiangthong’s performance
The crowd outside Esther Schipper and Max Hetzler during a block party hosted by Pace.
Gallery Weekend Berlin celebrates its twentieth anniversary
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Interviews
On migration
Xingzi Gu, Ruddy, 2024, oil and acrylic on canvas, 42 x 60".
Critics’ Picks
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Spotlight on select May Advertisers
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Current Issue
Vera Molnar, Transformation, 1983, vinyl on canvas, 59 × 59″.© Vera Molnar/Artists Rights Society (ARS), New York.
Videos
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Under the Cover
On the brand identity of SpaghettiOs and the importance of total artistic freedom
Simone Forti
Interviews
On the occasion of her participation in the 2024 Venice Biennale, we revisit this talk with the renowned artist, dancer and choreographer
Joan Jonas
Interviews
The genre-bending performance and video artist spoke with Artforum on the occasion of her exhibition at the 2015 Venice Biennale
Columns
Karlo Kacharava.
The Fourth Tbilisi Art Fair showcases an ever evolving urban tapestry
Chang Chao-Tang, Panchiao, Taiwan 1962, gelatin silver print, 20 × 24". Photo: © Chang Chao-Tang. Image courtesy of M+, Hong Kong.
“Your camera can only surrender at the feet of life.”
Film
Jean-Pierre Melville, Le Samouraï, 1967, 35 mm transferred to 4K, color, sound, 105 minutes. Jef Costello (Alain Delon).
Jean-Pierre Melville’s Le Samouraï shines in new 4K cinematic release
Wojciech Jerzy Has
Wojciech Jerzy Has’s deliciously twisted textualities
74th Berlinale.
Nonfiction filmmaking at the 74th Berlin International Film Festival
From the archive
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December 1995
“This was the year of the c word,” proclaimed Richard Martin, the late curator of the Costume Institute at the Metropolitan Museum of Art, in the December 1995 issue of Artforum. The c word in question? Couture, of course.

As fashion is fêted at tonight’s Met Gala—the year’s hautest event—and the Costume Institute unveils the exhibition “Sleeping Beauty: Reawakening Fashion,” Artforum rouses Martin’s essay from the magazine’s archives.   —The editors
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